The concert Sound Odyssey explores the colours and timbres of the string quartet with surprising works by five composers who push the boundaries of the instruments. Percussions, sound recording, kamacheh (Iranian instrument), resonators and amplification are just some means used by the composers to stretch the limits of the string instruments.

Come discover new sounds produced by the string quartet!

The concert Sound Odyssey explores the colours and timbres of the string quartet with surprising works by five composers who push the boundaries of the instruments. Percussions, sound recording, kamacheh (Iranian instrument), resonators and amplification are just some means used by the composers to stretch the limits of the string instruments.

Come discover new sounds produced by the string quartet!

An innovative multimedia creation combining music and immersive video scenography, inspired by the work and destiny of Camille Claudel, an exceptional French sculptor.

Here ‘s a musical journey into the very heart of the sculptures and paintings of women artists that have been ignored for too long! Works by Taillferre, Debussy and Heggie

An innovative multimedia creation combining music and immersive video scenography, inspired by the work and destiny of Camille Claudel, an exceptional French sculptor.

Here 's a musical journey into the very heart of the sculptures and paintings of women artists that have been ignored for too long! 
Works by Debussy, Tailleferre and Heggie.

This concert will explore the vast range of sounds that can produce a string quartet and will also underline the centennial year of Iannis Xenakis’ birth with Ergma, a very powerful work. You will also assist to the world premiere of Hologramme Modal for string quartet and kamancheh by Iranian composer and musician Showan Tavakol and hear Krzysztof Penderecki’s very exploratory Quartet No. 1. The Molinari will play Oasis by Azerbaijani composer Franghiz Ali-Zadeh and will close the concert with the revolutionary Quartet no.3 written in 1927 by Béla Bartók.

Pour se mettre dans l’ambiance des Fêtes, le Molinari a invité le hautboïste Vincent Boilard, hautbois solo associé de l’Orchestre symphonique de Montréal, à partager la scène avec lui, dimanche après-midi le 18 décembre prochain, dans le cadre de la série Concert intime à la Fondation Guido-Molinari au 3290, rue Sainte-Catherine Est à Montréal.
Le programme du concert comportera trois quintettes avec hautbois des compositeurs canadiens Brian Cherney, Elizabeth Raum et Stuart Grant. 
De plus, le Molinari reçoit la jeune mezzo-soprano Odile Portugais qui chantera des airs de Handël et de Vivaldi

Pour se mettre dans l’ambiance des Fêtes, le Molinari a invité le hautboïste Vincent Boilard, hautbois solo associé de l’Orchestre symphonique de Montréal, à partager la scène avec lui, dimanche après-midi le 18 décembre prochain, dans le cadre de la série Concert intime à la Fondation Guido-Molinari au 3290, rue Sainte-Catherine Est à Montréal.
Le programme du concert comportera trois quintettes avec hautbois des compositeurs canadiens Brian Cherney, Elizabeth Raum et Stuart Grant.
De plus, le Molinari reçoit la jeune mezzo-soprano Odile Portugais qui chantera des airs de Handël et de Vivaldi.

This concert will explore the vast range of sounds that can produce a string quartet and will also underline the centennial year of Iannis Xenakis’ birth with Ergma, a very powerful work. You will also assist to the world premiere of Hologramme Modal for string quartet and kamancheh by Iranian composer and musician Showan Tavakol and hear Krzysztof Penderecki’s very exploratory Quartet No. 1. The Molinari will play Oasis by Azerbaijani composer Franghiz Ali-Zadeh and will close the concert with the revolutionary Quartet no.3 written in 1927 by Béla Bartók.

This musical theatre presents eleven fables recited by Catherine Perrin and illustrated with musics by Denis Gougeon for harpsichord and string quartet and by Jean-Philippe Rameau for harpsichord. The first part of the concert will have the Molinari Quartet perform Samuel Barber's Quartet op.11 (with the celebrated Adagio) followed by the fables in the second part.